Friday, 18 April 2025

Sinners (Movie Review)

We are barely four months into 2025 and we are already getting phrases like "best movie of the year" thrown around. I am of course referring to the new Ryan Coogler horror film, Sinners, which initially landed on Rotten Tomatoes with a perfect 100% score and has since sparked early discussion about the film's Oscar prospects. So despite no prior plans to watch this one in theaters, I knew I had to see for myself what the hype was about. But is the film as good as that score might suggest, or is this another case of overinflated praise?

The film stars Michael B. Jordan in the dual role of twin gangsters, Smoke and Stack. The year is 1932 and the two brothers have just returned to their hometown in Mississippi, where they intend to open a juke joint with some of their accumulated wealth and loot. But on the opening night of their new establishment, their lives and those of their patrons become threatened when the place attracts the attention of a trio of vampires. Now they must fight to survive until sunrise or risk getting turned into vampires themselves.

If the above synopsis sounds familiar, it is probably because you've seen the 1996 film, From Dusk till Dawn. At least that was the first movie that came to mind as I watched the events in Sinners unfold. After all, both films feature a pair of criminals struggling to fight off a group of vampires in a bar of sorts. But for a movie that appears to ape a large portion of its premise, I was still impressed by what this one was able to accomplish within the confines of that framework.

The first thing that stood out to me about Sinners was just how great the cinematography looks. The movie is beautifully shot, showcasing the striking scenery that makes up most of its Jim Crow-era American South, with its sweeping vistas of cotton fields and old, dusty roads. Equally deserving of praise is the production and costume design on display, both of which were uniformly excellent and serve to immerse you in its surrealist vision.

Music also plays a huge role in the film, with a soaring soundtrack and score by Ludwig Göransson that used everything from banjos to electric guitars. And the way the music blended with the visuals further helped sell that surreal, otherworldly quality the filmmaker was clearly going for. Each song in the movie was a standout performance that wouldn't have been out of place in a full-blown musical, so you'll definitely want to see it on the biggest screen possible and hear those songs booming in full surround sound speakers.

On the acting front, the decision to have Michael B. Jordan in dual roles thankfully never got in the way of either performance. I never had trouble telling which twin brother was which, as each one was distinct enough in look and mannerism that I quickly forgot there weren't, in fact, two distinct actors playing the parts. But I do have to say that I had issues with the dialogue.

I initially had trouble picking up some words or phrases, owing to the thick southern accents the actors adopted for their roles. The biggest offender by far was Delroy Lindo, who was incidentally my favorite character, as he supplied most of the comic relief in the movie, which only further exacerbated my frustrations with the lack of subtitles. But the strength of his performance and those of the other actors still managed to shine through.

The true star of the show, though, was Ryan Coogler. Ever since his work on Fruitvale Station, he has continued to showcase his growing talents as a director. And while I still think he didn't exactly put his best foot forward in Black Panther: Wakanda Forever, he is certainly firing on all cylinders here, making this a pretty solid return to form. I wouldn't go as far as to call it his magnum opus, like some might, but it is certainly up there with the first Black Panther movie.

One area of Sinners that I think some viewers might take issue with is its pacing. It takes a while before the proverbial shit hits the proverbial fan, with the first half of the movie's two-hours-and-seventeen-minutes runtime being spent introducing the characters and setting the stage for that bloodletting. Some of the CGI used for the blood and gore effects also seemed too cartoonish, marring what is an otherwise well-put-together package.

I also found the ending a tad too over-the-top for my liking, veering into full-on torture porn territory for the sake of garnering some cheap cheers. But if you are someone who enjoys a good revenge story, then perhaps there's plenty of satisfaction to be had there. Either way, you'll definitely want to stick around for the credits because there's a hefty mid-credit scene that effectively serves as the film's epilogue, so don't say you weren't warned.

Sinners delivers on its promise of a bloody good time. But even more than that, it manages to transcend the trappings of the horror genre by offering a unique take within its familiar sandbox. Most of that is driven by Ryan Coogler's singular vision, which shines through with a kind of clarity seldom seen in Hollywood today. So even though it might not be his best work, it is still a must-see for any horror fans looking to satisfy their bloodlust.

Saturday, 8 March 2025

Mickey 17 (Movie Review)

Heading into 2025, the film at the top of my most anticipated movies list was Mickey 17, the latest flick from acclaimed South Korean filmmaker, Bong Joon-ho. This was primarily because the director has consistently delivered some of my favorite movies over the course of the past decade. So coming off his Best Director, Best Original Screenplay and Best Picture wins at the Oscars for his 2019 film, Parasite, a lot of us fans were eager to see what he was cooking up next. But does his newest film live up to expectations or is it a rare stinker in an otherwise impeccable filmography?

Set in the distant future, the movie follows Mickey Barnes (Robert Pattison), a down-on-his-luck man who enlists to join a group of interplanetary colonizers as an expendable. As the job title suggests, he is basically considered fodder for all of the colony's dangerous missions and experiments. The catch is that each time he dies, a clone of his gets reprinted with all of his memories intact. But when they prematurely print out an extra clone, the titular Mickey 17 must contend with his new, more aggressive self, as well as the chaos surrounding the development.

At first glance, Mickey 17 appears to be nothing more than a rethread of the brilliant 2009 science fiction movie, Moon. After all, both movies feature a setup where a man is engaged in dangerous work off-world, and what happens to that man when he inadvertently meets a carbon copy of himself. But in truth, that is where the similarities end because Mickey 17 grapples with even more themes beyond the questionable ethics of human cloning.

Fans of Bong Joon-ho's other works would no doubt spot recurring motifs like a rebuke of the mistreatment of animals (Okja) or the widening divide between the haves and the have-nots (Snowpiercer). There were likewise allusions made to the modern-day political landscape, which served as an overall critique of the politicians themselves as well as the role the media plays in helping peddle their propaganda. But it is ultimately left to the viewer to draw out whatever message they happen to find most resonant, so I wouldn't be surprised if others picked up on even more themes.

Speaking of politicians, it wouldn't be a Bong Joon-ho production if we didn't get a cast filled with oddball characters. We of course had Tilda Swinton's Minister Mason in Snowpiercer, as well as Jake Gyllenhaal's Johnny Wilcox in Okja. And here, the one that would no doubt have people buzzing is Mark Ruffallo's turn as Kenneth Marshall, a performance that is so shamelessly derivative of Donald Trump, specifically his speech and mannerisms, that it might as well have been an SNL sketch. 

To be clear, I have no issue with parody in films, nor do I particularly care which politicians a filmmaker or actor chooses to ridicule in their movies. But when those jokes are this on-the-nose or heavy-handed, it is hard to find them to be anything other than distasteful. One joke in particular that took shots at Kenneth Marshall's failed attempts at getting elected didn't particularly age well, given the outcome of the last US elections, so you've got to wonder why it wasn't simply taken out of the film in light of that.

Thankfully, most of the other jokes and gags in the movie managed to land just fine without resorting to cheap, below-the-belt theatrics. Similarly, the other actors gave adequate performances, including Robert Pattison who showcased his broad range and great comedic timing as the various Mickeys. It also helps that the film looks great and is competently shot and edited, allowing for a relatively smooth viewing experience that never started to drag or overstay its welcome.

Mickey 17 is a funny and thought-provoking take on a well-worn science fiction trope. It could also be considered a political satire, although how much enjoyment you glean out of its gags probably hinges on what side of the political aisle you happen to fall. Bong Joon-ho has already shown that he has a deft handling of how to craft strong, resonant social commentary and there's certainly plenty of that to be had here. So while it might not be his strongest outing, Mickey 17 is nonetheless another essential watch for fans of his previous work.

Thursday, 13 February 2025

Captain America: Brave New World (Movie Review)

After scaling things back in 2024, the Marvel Cinematic Universe is back with full force this year. I mean, you only need to take a look at its packed slate to see just how much content will be coming out of its production pipeline. And out of all those movies and TV shows, Captain America: Brave New World is among the most hotly anticipated by fans. But is the movie the return to form the franchise desperately needs, or is it yet another misstep in a long string of false starts?

Set 3 years after the events of The Falcon and the Winter Soldier, the film finds Sam Wilson (Anthony Mackie) well into his tenure as Captain America. But more notably, it picks up with Thaddeus Ross (now played by Harrison Ford) after his first hundred days as President of the United States. The president tasks Cap with rebuilding the Avengers, except those plans are put on hold following an assassination attempt. Both men are soon embroiled in a brewing global conflict, the outcome of which could very well shape the future of the world at large.

As a diehard MCU fan, I must admit that it was hard for me to muster any kind of excitement heading into Captain America: Brave New World. This was of course due to just how many times I'd been burnt already by the near-total slop Marvel Studios has been serving up of late. Because for every Deadpool & Wolverine or Guardians of the Galaxy Vol. 3, there seemed to be no shortage of Secret Invasions or She-Hulks. 

Then there was of course the news of the film having to be rejigged well into production, resulting in extensive reshoots. Such things are never a good sign, even though they don't necessarily spell doom for the film's critical and financial prospects either. So even though my expectations were as low as they could get, I still mustered enough cautious optimism to drag myself to the nearest movie theater, hoping for something at least half-decent. And in some respects, the movie delivers just that. 

Starting off with the positives, I was really happy to see some of the story threads introduced in movies like Eternals finally starting to pay off, with one of that movie's celestials serving as a central plot device in this one. In other words, the MCU is starting to feel like the MCU again, with what some might consider a good showing of some of the interconnected storylines fans have come to expect from the franchise.

Then there were the action scenes and the visuals that helped bring them to life. I was especially enamored by the climax, which had all the pyrotechnics one could hope for in the third act of a superhero movie. A lot of it was pure eye candy, for sure, and eagled-eyed viewers might even spot a few instances of egregious green effects here and there. But overall, I was pleased and appropriately thrilled by what was on display.

What I found less thrilling though was the film's hodgepodge storyline which was filled with plot contrivances and driven by yet another lackluster villain. I won't spoil who it was but I doubt anyone other than the film's writers would find the villain in question compelling. The same could be said about most of the supporting cast, who range from your stereotypical girl boss to the overexcited sidekick. These are archetypes we've seen a lot in the MCU already, and these ones bring nothing new to the table.

But I think perhaps my biggest grievance with the movie is just how criminally underutilized Giancarlo Esposito was. He barely got enough screen time to showcase his talents and the little time that he did get was let down by the cobbled-together storyline. The actor has already proven himself more than capable of portraying iconic villains in shows like Breaking Bad so I was disappointed that he didn't get to tap into any of that here. His inclusion felt like an afterthought or like a product of those extensive reshoots.

Captain America: Brave New World is another middle-of-the-road entry into the MCU that would have you pining for the good old days. Sure, its story might alternate between implausible and just plain dumb, but at least it is the fun kind of dumb, not the sludge that has been passing for entertainment with alarming frequency of late. And sometimes, that's all it takes to set itself apart or earn a reluctant recommendation.

Wednesday, 1 January 2025

My Top 10 Most Anticipated Movies for 2025

Happy New Year, dear reader. With 2024 now behind us, it is time to look forward to what 2025 has in store for us, specifically what movies you might want to have on your radar this year. Like most years, I am only considering those movies that already have firm release dates and have already received at least some form of promotion from the studios making them, be that a teaser trailer, production stills, or what have you. So with our parameters defined, here are my Top 10 Most Anticipated Movies for 2025.

10. Jurassic World Rebirth



To no one's surprise, the ever-green Jurassic Park franchise is set to receive another entry this summer. Dubbed Jurassic World Rebirth, this would potentially mark the start of yet another trilogy of films, with a new cast that includes Scarlett Johansson and Mahershala Ali. But we all know who the true stars are, namely the various dinosaurs from the eponymous Jurassic era.

9. Wolf Man



From the director that gave us The Invisible Man comes Wolf Man, Universal Pictures' latest entry into its Universal Monsters media franchise. And judging by how successfully Leigh Whannell had updated the former film for modern times, I am confident he can do the same here, which is why I am approaching his take on the classic werewolf IP with great excitement. So here's hoping that it delivers the thrills.

8. F1



Joseph Kosinski really outdid himself with Top Gun: Maverick, a movie that wowed viewers of all ages with its breathtaking cinematography, making it feel like we were right up there with the pilots in the cockpits of their fighter jets. So in F1, I am expecting to see that same level of immersion, except this time around applied to the various race cars taking part in the titular sport. And having Brad Pitt as the main lead is of course icing on an already-delicious cake.

7. How to Train Your Dragon



I am not particularly keen on the fairly recent trend of adapting beloved animated works into live-action. You can blame that on Disney I suppose, and the soulless eyes of the lions in that 2019 version of The Lion King. But ever since the first trailer for the live-action remake of How to Train Your Dragon dropped, I've found myself having to rethink that position. So I just might be giving this one a look-see.

6. Ballerina



Another position I find myself having to rethink this year is my stance on prequels. And we can attribute that to Ballerina, or more aptly, From the World of John Wick: Ballerina as it is formally marketed. Set between the events of John Wick: Chapter 3 - Parabellum and John Wick: Chapter 4, the film shifts its focus from the Baba Yaga to a younger assassin in the making played by the beautiful Ana de Armas.

5. Mission: Impossible - The Final Reckoning



Billed as the final film in the Tom Cruise line of Mission: Impossible movies, Mission: Impossible - The Final Reckoning has its work cut out for it. This is doubly so after the financial disappointment of the previous entry in the series, Dead Reckoning (or Dead Reckoning - Part 1 as it was previously known). But if there's one thing that movie can't be accused of, it is being dull or uninventive, so only time will tell if this second half would fare any better.

4. Avatar: Fire and Ash



The next film in James Cameron's Avatar series is currently slated for December this year. Emphasis on currently because if there's any movie that is likely to get bumped out of 2025 on this list, then surely this is it. But if by some miracle Avatar: Fire and Ash manages to keep that date, then I'd be a very happy camper indeed because I am curious and eager to see where next they take this visually stunning adventure.

3. 28 Years Later



The series that effectively reinvented the zombie genre returns in a big way in 2025. But instead of 28 Months Later, we are skipping right ahead to 28 Years Later since enough time has passed since its 2002 original apparently. And with Cillian Murphy expected to reprise his breakout role from that film, as well as Danny Boyle and Alex Garland returning to direct and pen the script respectively, there's plenty enough reason to hop aboard the hype train.

2. Superman



The DCU is set to begin in earnest in 2025 with the release of James Gunn's Superman, a film that is sure to top many people's most anticipated movie lists this year. And the reason for that is simple: no other film has as much riding on it as this one. The entire future of the DCU hinges on how well-received this movie is, so the pressure to knock it out of the park must be immense. But "In Gunn We Trust," a trust he has earned after a decade of greatness.

1. Mickey 17



Speaking of greatness and directors with impeccable track records, Bong Joon-ho is another whose work I've grown to admire over the years. His filmography includes Snowpiercer and Parasite, two films that had gone on to become my favorite movie in their respective year's of wide release. So there's a strong chance Mickey 17 would be in my Top 10 Movies for 2025 when it is all said and done, which is why it ranks as my most anticipated heading into the year.